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dc.contributor.authorBattle, Troy T.
dc.date.accessioned2012-10-22T18:16:22Z
dc.date.available2012-10-22T18:16:22Z
dc.date.issued2012-10-22
dc.date.submitted2012-Summeren_US
dc.identifier.urihttp://centralspace.ucmo.edu/handle/10768/175
dc.descriptionIncludes bibliographical references (pages 32-37)en_US
dc.description.abstractThe official use of Bertolt Brecht as an adjective illustrates just how much of a seminal figure he has been to the theatre over the past century. Brecht and his theories have been cited as the influence on countless theatrical artists. However none may be as important as the German playwright, Heiner Muller, and the American director, Robert Wilson. These two men were at the forefront of the Avant-Garde movement commonly referred to as Postmodernism. Both created strikingly imaginative works that pushed the theatre in innovative and stimulating directions. The thrust of this paper will show how Postmodernism, in particular the works of Muller and Wilson, became the actualization of Brecht’s theories on the Epic Theatre.
dc.format.extent1 PDF (37 pages) : illustrationsen_US
dc.language.isoen_USen_US
dc.subjectResearch paper -- Experimental theater.
dc.subject.lcshExperimental theater.en_US
dc.subject.lcshMüller, Heiner, 1929-1995.en_US
dc.subject.lcshWilson, Robert, 1941-en_US
dc.subject.lcshBrecht, Bertolt, 1898-1956 -- Criticism and interpretation.en_US
dc.titleThe Postmodern World of Muller and Wilson, or How Hamletmachine Completed a Brechtian Dreamen_US
dc.typeResearch paperen_US
dc.degree.disciplineTheatreen_US
dc.degree.grantorUniversity of Central Missourien_US
dc.degree.nameM.A.en_US
dc.degree.levelMastersen_US


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