Show simple item record

dc.contributor.advisorKinen, Philip John
dc.contributor.authorFisher, Bronwyn E.
dc.date.accessioned2016-02-24T18:01:30Z
dc.date.available2016-02-24T18:01:30Z
dc.date.issued2016-02-24
dc.date.submitted2015-Fall
dc.identifier.urihttp://centralspace.ucmo.edu/handle/123456789/443
dc.descriptionIncludes bibliographical references (pages 24-26)en_US
dc.description.abstractDeaf Theatre as a style should be considered one of the many prominent movements within theatre history. A focus on theatre history is expanded to highlight elements within these movements, and compare them to Deaf Theatre to establish the style as a movement. With this focus, there is also a depth into the understanding of deaf culture and the histories of two deaf theatres, National Theatre of the Deaf and Deaf West, within the United States to allow Deaf Theatre to be what it is now.
dc.format.extent1 PDF (26 pages)
dc.language.isoEnglishen_US
dc.subjectResearch paper -- Deaf, Theater for the.en_US
dc.subject.lcshDeaf, Theater for the.en_US
dc.subject.lcshNational Theatre of the Deaf.en_US
dc.subject.lcshDeaf West.en_US
dc.titleDeaf Theatre: A New Styleen_US
dc.typeResearch paperen_US
dc.degree.disciplineTheatreen_US
dc.degree.grantorUniversity of Central Missourien_US
dc.degree.nameM.A.en_US
dc.degree.levelMastersen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

  • Research Papers
    Research papers written by graduate students for majors not requiring a thesis

Show simple item record